Please excuse the quality of copies, my scanner is in UK and the colours look fine on my laptop, but not on the computer I am using to upload things on (for some reason my laptop will not connect).
Sunday, March 28, 2010
Hamed El Nil tomb, Omdurman, Sudan
I have come to the conclusion that my tolerance to observers depends on how tired and/or fragile I feel. In Abu Dhabi airport last Friday, I abandoned my drawing due to the comments of the man sat next to me... mind, he was commentating after every stroke. However, it was a different situation this Friday afternoon.
I went to a big Sufi ceremony in the north of the city. Having arrived early, I wanted to draw the tomb, which was to be the backdrop for the ceremony. When I sat, on a crate kindly provided by my driver Mohammed (hired for the afternoon), I already had a little girl who had been following me around, and Mohammed stood next to me. Within minutes I was surrounded by curious people, and Mohammed made them give me some space. Like the previous week, I stopped at the outline, but this time it was because I had decided beforehand to colour it at home, and unlike the previous week I only stopped when I thought I had drawn enough.
Right is how I left the sketch, whereas above is with the colour added yesterday. The photo was taken towards the end of the ceremony with a glimpse of the tomb.
Please excuse the quality of copies, my scanner is in UK and the colours look fine on my laptop, but not on the computer I am using to upload things on (for some reason my laptop will not connect).
Please excuse the quality of copies, my scanner is in UK and the colours look fine on my laptop, but not on the computer I am using to upload things on (for some reason my laptop will not connect).
Labels:
pen and watercolour,
Sudan