Friday, September 16, 2011

Painting in the Vale de Viñales II

Corner building, Viñales main road. A3 pen & ink © Sue Pownall 2011
to continue...
The day after I hopped on and off the bus (the afternoon had been spent stuck in a bar listening to music because of the torrential rain- honestly), Elio drove me into the countryside to a small cascade and was left there for an hour and half to paint it. Having wandered around a bit, the sun hitting the plants in front of the water was the obvious subject for my painting and seemed an okay composition. It was already very hot at 9am, so I sat under the road bridge, where nothing passed over, and painted the scene. I normally photograph a scene like this, and did, so the painting was a challenge. I think I did okay, but think my pen & watercolours are always more successful than pure watercolour for scenery. Also, this looks better in the original: blaming scanner!
Una Cascada. 35x25cm 425gm cold pressed, watercolour © Sue Pownall 2011
After Elio picked me up, I was taken to his mother-in-law's house, a real campesino (country person/peasant)'s abode. After being shown around, especially the new building they were constructing to rear pigs, I sat with the mother-in-law, who stared but wouldn't speak to me, and a niece, who chattered away in dialect. By then it was very humid as well as boiling and I started a drawing of some outbuildings. The photo shows the beautiful setting and the drawing when I abandoned it - I couldn't work out how to continue with sweaty hands despite leaning on tissues.
Farm buildings. © Sue Pownall 2011
On the way back into town I took advantage of Elio knowing everyone and got him to ask permission for me to sit on someone's porch the next morning to draw. Back at Elio's B&B I worked up the farm drawing by increasing tonal values and strengthening lines.
Edificios de la granja. © Sue Pownall 2011
Mid-morning the next day, my last day in Viñales, found me sitting on the porch of an old lady because 2 days ealier I had seen a fabulous building I HAD to draw, but had found no shade on the street to do so. The photo, shows the building across the way, a great vintage car (perfect timing) and my finished drawing. You can also see the afternoon's storm clouds rolling in. The finished drawing, completely drawn on the porch, is at the top of this post.
© Sue Pownall 2011
I left the area early the next morning heading for Trinidad, which is about 6 hours east of Havana and where I spent the majority of my time. The drawings from there will make up another post.

Wednesday, September 14, 2011

Tattooed lady

5 min warm-ups. © Sue Pownall 2011
As I'm stuck in UK, problems with paperwork for new contract yawn, I thought I would take advantage of my local drop-in life class. Despite the fact I haven't been since last summer, several people recognised me and so chatted to them in the breaks. I was preoccupied as I was going to a printers for the first time that afternoon to arrange prints of some of my work and was unsure if I've choosen the right pieces, number, size...
30 min pose © Sue Pownall 2011
Despite that, I was very pleased with my 5 min warm-up sketches and the half hour long pose afterwards. However after the break and the resumption of the long pose, I started a new piece which got too over-worked and pretty. Oh, and despite remeasuring, checking  and altering several times the hands still look too small.
arrrgh too pretty © Sue Pownall 2011
Towards the end of the class, I abandoned the pretty drawing and I grabbed a sketchbook (35x25cm), a pen and sketched the tattoos.
Pen © Sue Pownall 2011
One of the reasons I attended the class, apart from opportunity, is that I feel it is important to practise the basic drawing skills whenever possible as well as sketch and produce finished pieces. By coincidence, the fabulous writer and ceramist Diana Baur wrote a post on that this week click here to check it out. It's very worth reading.

Tuesday, September 13, 2011

Cuban Transport

© Sue Pownall 2011
Please remember all images and photos on this blog are: © Sue Pownall 2011. All rights reserved.
© Sue Pownall 2011
© Sue Pownall 2011
© Sue Pownall 2011
© Sue Pownall 2011
© Sue Pownall 2011
© Sue Pownall 2011
© Sue Pownall 2011
© Sue Pownall 2011
© Sue Pownall 2011
Forgot to add: there are quite a few modern cars on the roads, all owned by companies, and usually to support the tourist industry... Suzuki 4x4s & other Japanese brands, Mercedes,etc.
From Museo de la Revolucion © Sue Pownall 2011

Sunday, September 11, 2011

Painting in the Vale de Viñales. Part I

  Calle Sergio Dopico, A3 pen & watercolour © Sue Pownall 2011
After Havana I travelled west to Vale de Viñales. After settling into my B&B (Casa El Relojero - Elio's which I'd thoroughly recommend) I went for a walk around the small town and when I saw these houses (above) I settled down at a bus stop, for shade, to draw them. It took just over an hour to paint by which time the heavens had opened for a tropical downpour and one of the neighbours had sat talking to me for about 10 minutes, both spoiling concentration, but both interesting in different ways.

Tractor, A43 pen & watercolour © Sue Pownall 2011
The next day, I had arranged a horse trek into the valley, but having risen early I sat outside the front of the house and started to paint the neighbour's tractor. Elio's wife kindly bought me a cup of tea so I could continue. Unfortunately, I had to abandon the painting after the tea as the neighbour drove off in the tractor and didn't return until late afternoon. I tried to continue that evening, but a combination of the curious neighbourhood children - 8 of them, who surrounded me and the still hot sun, made me give up the painting again.

A6 pen & ink © Sue Pownall 2011
In between, I went on the most beautiful ride through the valley admiring the mountains and fields. Although it is not the tobacco season we went to a tobacco drying building and had the process explained to us (we were 3 on the trek) and were shown how to roll a cigar. The final stop of the ride was to a cave with an underground pool. Whilst waiting to be led underground we sat at the mouth of the cave and I sketched the rock formations. Yes I took my moleskin type sketchbook on a horse ride. What can I say? I am totally addicted to sketching. Once inside, apart from 2 small torches it was pitch black and we swam in the icy pool.

Day 3 in Viñales I took advantage of a hopon-hopoff bus and went up to a hotel with a stunning view of the valley. Despite having taken watercolour paper to Cuba, I used my sketchbook to paint the view. It's not a brilliant painting, but served the purpose of loosening me up.

Vale de Viñales from Ermita, A3 watercolour © Sue Pownall 2011
An hour later, I was back on the bus and got taken to the other end of the valley where I painted again, but this time using pen as well as pure watercolour. I think this is a stronger painting. Neither looks quite as murky in real life as in the scans. After an hour at this site it was approaching mid-day and was very hot and humid so I caught the bus back to town for some lunch.
Vale de Viñales from Dos Hermanos. A3 pen & watercolour © Sue Pownall 2011
... to be continued.

btw I'm struggling to upload the Cuban photos, but I promise to post some soon starting with cars for Michael Bailey of Paint Bytes.

Friday, September 9, 2011

Havana in sketches

Beltran hotel
Hotel Beltran © Sue Pownall 2011
I’m going to start with an apology, as my scanner is dying and I cannot get good reproductions of my drawings from Cuba, at least you can get an idea of the sketches I did.



When I arrived in Havana I stayed in an old building with a courtyard. So naturally, my first painting of the holiday was the view from my room with the magnificent blue paint work.








The next day I went to the cathedral square and found some shade in a cafe, but was feeling very self-conscious and was not pleased with the results.

Havana (17)Havana cathedral
These were the only 2 sketches I did at that time as I spent the rest of the 2 days wandering around taking photos or sleeping. It was also very hot, humid, and with intermitant rain. I was far more productive on my return to Havana for the last 2 days of my stay, but yet again I also spent a lot of time taking photos. I'll post some of those next.
From the steps
Nextdoor to Fabrica de Tabacos © Sue Pownall 2011

Rising early in the morning, my first stop was in the park next to the Capitolio Nacional, where I did a loose watercolour painting. So loose I’m not posting it. Then I walked around the back of the building and spotted some buildings crying out to be painted. Unfortunately, a security/police man told me I was not allowed to sit there, but when I explained I was an artist and just wanted half an hour to draw the buildings, he let me stay. Unfortunately, I’d have loved to stay a whole hour, but didn’t want to push my luck. btw I was working on A4 the majority of the trip and most drawings took me about an hour/hour & quarter. Whilst I was sat there one of the other guards presented me with a pink rose bud.
Prado
On Prado © Sue Pownall 2011

Next I walked down the Prado and painted two beautiful buildings both with different styles of decoration and had been adapted differently by the inhabitants. Again, I got talking to some police, who were friendly and curious, and I think probably happy to find some relief of their boredom. Unfortunately, I cannot get the colours on the scan to come out anywhere near the original and may take a photo to add here tomorrow.

Havana 3
In Plaza del Cristo © Sue Pownall 2011

My final drawing of the day was a boarded up building, but still with inhabitants on the first floor judging by the washing draped about, in Plaza del Cristo. No police this time, but a lovely old man sat on the same bench and chatted to everyone who walked past and me when there wasn’t anyone else.
 Havana (146)

Left is a photo of the building and the completed sketch in the early evening sunlight. I was very pleased with the day’s sketches, but it had been easy to sketch a lot as it had been less humid and slightly cooler than most days I spent in Cuba.

Thursday, September 8, 2011

Sneak peak

A building in Viñales. © Sue Pownall 2011
To wet your appetite of drawings to come from Cuba, once I get them scanned, here is a sneak peak at one of them from the first week.

Edit: I left Cuba on Tuesday night (6th) and this was posted from UK.

Wednesday, August 17, 2011

Cuba here I come!

The art equipment I'm taking, minus a roll of masking tape & my DSLR.
My Lonely Planet for Cuba is bookmarked. Paper, paints, pens and pencils are ready. Plus shorts, bikinis and hiking sandals are packed.

I'm off...See you in 3 weeks.

Saturday, August 13, 2011

Out of the handbag III (UK)

Across the river. Ink in A6 sketchbook© Sue Pownall 2011
Here are a few sketches from my A6 handbag sketchbook drawn over the last couple of weeks. Last Saturday, my parents & I went up to the Royal Academy to see their Summer exhibition, so I sketched on the train up.
© Sue Pownall 2011
© Sue Pownall 2011
 We then went over to Sadler's Wells to see the amazing show Fela!. First I sketched the musicians on stage and then the audience listening to them before the show started.
© Sue Pownall 2011
Fela! Pen & ink and watercolour in A6 sketchbook.© Sue Pownall 2011
I didn't think the sketchbook took watercolour as the pages are thin, but couldn't resist adding colour to the stage of Fela! after I returned from watching the fabulous show. It took quite well, luckily.

© Sue Pownall 2011
Wednesday I went back up to London to see the Watercolour exhibition at Tate Britain. Fantastic exhibition and very inspirational! I drew the woman doing the crossword on the train up. After the exhibition, I caught the water taxi to the Tate Modern, where I went to my favourite cafe on the 7th floor and, inspired by the watercolour exhibition, drew the view across the river. (Posted at top of this post). It took 30 minutes, which for those who know me, is a long time for me on a single sketch.

Friday, August 5, 2011

Sketchday II

Monks' garden. Pen & watercolour, A5 sketchbook. © Sue Pownall 2011
Last September, Sandra of Sandraws came up to Colchester for a sketchday and we arranged to do it again this year. Coincidently, last Saturday, John of JWJarts wrote about sketching in public and our sketchday:
"I have been inspired entirely by my blogger friends... The first urges to try it myself came from Sandra Busby's account of her day with Sue Pownall and I can imagine how wonderful that must have been."
That post is here if you missed what helped to inspire John.
Michelham Priory in the rain. © Sue Pownall 2011
Yesterday, I drove down to Sandra's in Sussex for our second sketchday and we were joined by the artist Kerry (her website). Despite the appalling English summer weather we had a fabulous time drawing at Michelham Priory, although we were disappointed we didn't see or feel any of the ghosts!
Entrance. Pen & ink, A5 sketchbook. © Sue Pownall 2011
After walking around the Priory, we scattered to draw different things. Kerry stopped in the Tudor extension whilst Sandra and I both chose the original entrance to the Priory as our first sketches. It was a challenge as people kept standing in front of us and blocked our view, which is when I quickly sketched the gardener.
Gardener. Pen & ink, A5 sketchbook. © Sue Pownall 2011
Next, I sketched in the old forge. The grounds of the priory were magnificent and it was frustrating to have to be inside due to the rain. Luckily, by 2.45pm it stopped enough so that our last drawing of the day was outside. I chose the wild flower monks garden, which was planted next to the oldest part of the building.
Old Forge, pen & Payne's grey, A5 sketchbook. © Sue Pownall 2011
All too soon it was time for me to leave, but it was a fabulous day and I can't wait for Sketchday III.

For all my sketches I used an A5 sketchbook, which I bought at the Museum of Islamic Art in Doha, but although the paper is smooth it soaked up my ink and didn't like watercolour. It's a shame as it has got a lovely cover.

Tuesday, August 2, 2011

The 6x6 Summer Blog Tour

I am excited to be taking part in the 6x6 Summer Blog Tour, which has been arranged by Baang and Burne Contemporary. As a nomadic artist the concept behind Baang & Bourne and their unique approach to exhibitions appeals to my senses. 
I asked the director Kesha Bruce, keshabrucestudio, some questions to find out more: 
    Kesha Bruce
  • On your website you ask the question “What if there were no more art galleries?” why do you feel this question needs to be asked?
Too many artists are stuck in the mindset that all they need to do is to find a gallery to represent them and then all their career problems will be solved. It’s an old art world myth that keeps getting perpetuated from generation to generation of artists.  In reality, it rarely works that way. Gallery’s come and go, sales slow to a crawl, or as we’ve seen recently, many galleries go out of business.  That leaves artists in a very vulnerable position if they don’t already have a solid marketing plan of their own in addition to working with galleries. It’s a dangerous thing to hand responsibility for your career over to someone else. If an artist wants to have a successful career over the long term they have to understand that they need to take charge of the marketing and selling of their work.
    
  • As part of 6x6, you are having a web-work marathon. I have never heard of this, so could you tell me what it is and how it can benefit artists such as myself?
One of the things artists still find most difficult is getting an effective website up and running.  For 6x6 we’ve teamed up with a company that gives website building workshops especially for artists.  You come with your laptop, images, and your artist statement, and you leave with a fully built and functioning website.  

In addition to the website we’re hosting a discussion panel and a workshop to help artists understand what exactly goes into building a website that not only displays their work, but one that functions in a way that can build relationships and ultimately their collector base. 

Charlie Grosso
  • Your upcoming event 6x6 is described as the art version of a music festival, what does that mean and why have you taken this approach?
 
My business partner, Charlie Grosso, and I have always believed that the art world should take a few pointers from the music industry in terms of bringing audiences and artists together in a relaxed, fun, and really enjoyable way.  At a rock musical festival people who love music come to see several different groups, take home all the sounds, and then go home with music dancing in their head. That’s exactly what we intend to do with 6x6.  Everyone who attends will get to see the work meet the artists and even take part in a workshop or attend a panel discussion.  It’s about being interactive and making the art viewing experience more personal and less passive.  Art should be more rock’n roll!


Baang + Burne website:   http://baangandburne.com/
To read Kesha’s weekly articles on art, art marketing, and creativity and to download a free copy of her guide “The 5 Step Art Career Make-Over” visit www.KeshaBrucestudio.com.