On the trail of a nomad.

© Sue Pownall 2011

For those of you kind enough to ask where I am and what I am doing here's a quick update, although these first photos may give a clue...

1st sunset © Sue Pownall 2011

In September I expected to return and stay in Qatar, however as I wrote in October's post WoOZ life sometimes has different ideas for us. A few people thought I was being mysterious about my plans: I wish I had been. The reality was that being left in the lurch without a job, which I must have to pay the mortgage and normal day-to-day expenses, I honestly didn't know what I was going to do or where I was going to do it, other than temporarily return to the UK.

A few days after the Edinburgh trip, I flew out of Heathrow to return to Oman, which I had left end of 2009, returning to work for my first Omani company. This time I am not in the capital, but in the interior in a town called Ibra, working for the A'Sharqiyah University.  I had my first real exploration around today, visiting the souq and one of the older parts of this town - it's actually like a series of villages. 

Watermelon seller © Sue Pownall 2011

So far I have not done any drawing, but picked up a goat's skull today, which I may draw tomorrow. I have damaged it slightly as it was quite fresh, so I used several kettlefuls of boiling water to clean it, then realised some of the very soft nasal bone has fallen away. Still it's better than any left over goat or germs hanging around I think. It is now sitting on the windowsill scaring the neighbours.

Mini adventure to Scotland

Solitude © Sue Pownall 2011

Taking advantage of being in UK for a little longer than anticipated, I took the opportunity to go to the opening of the brilliantly organised Trees For Life Charity Exhibition at Out of the Blue, Edinburgh. Details of the charity event can be read in my post Trees for life charity fundraiser. I would like to say again a big thank you to Trevor Jones, whose concept and hardwork brought it to fruition.

Newcastle Hotel, Rothbury A5 sketchbook © Sue Pownall 2011

I chose to drive up as I was dogsitting, whilst my parents went on holiday, which meant I got to spend some time in beautiful woods, parks & on beaches as I exercised him. I drove up to Northumberland the first day and stopped about an hour from the border. That evening, we both visited the dog-friendly bar of the Newcastle Hotel where I sketched a few of the locals. The next morning, after a foggy walk on the moors along St Oswald's Way, we crossed into Scotland at Coldstream. We stopped for tea at Hirsel where I outlined the building opposite us, then added watercolour later.

Hirsel. A5 Sketchbook © Sue Pownall 2011

Next, after a drive around Edinburgh, we visited the beach at Portobello, before heading to our hotel. I've mentioned before that Nelson always loves the sea and barks at the waves as they crash on the sand and I took the opportunity of a near empty beach to photograph him. More photos from the trip are on flickr.

© Sue Pownall 2011

That evening, I drove to the gallery for the opening of the exhibition, meeting the harried Trevor Jones briefly, before admiring all the donated work. I was delighted to see that Jeanette Jobson was hung on the adjacent board, as it was her contribution The Gate Keeper, which you can see here, that got me involved. You can still snap up some original pieces of art at the bargain price of £45 each, including  The President's Tree, either at the exhibition, which is open until the 13th November, or on the website here. Below are a few photos from the night.

Opening speech by Trevor Jones

Gentlemen looking at mine & Jeanette's work.

My drawing, The President's Tree, & I

Don't forget to visit the charity's website www.treesforlife.org to see how they aim to restore the Caledonian Forest. Finally a quote from Trevor written last Saturday:

"£5135 and counting  ... We've raised so much money already so thanks again to all of you."

Let's get the remaining pictures sold  and push that total higher!

Eros

Checking maps in Picadilly. A6 sketchbook © Sue Pownall 2011

Yesterday in London, having arrived early at our meeting point of Eros in Picadilly I sketched the tourists around me. I was a little concerned by a Spanish lady in woolly hat, thick scarf and hooded coat, as it wasn't that cold. We met at Eros as we wanted to see the Degas exhibition at the RA, but unfortunately as we hadn't prebooked, it was half term, and we chose not to wait the 45minutes+ to get tickets.

People at Eros in A6 sketchbook © Sue Pownall 2011

Instead my friend, the fabulous designer Mary Wright, & I went straight to Tate Modern, via the protestors at St Paul's, to see the Gerhard Richter exhibition Panorama. I was amazed at the mixture of styles from super-realism to abstraction that he uses. I can't confess to liking or understanding all of his work, but I'm very pleased we saw the exhibition. I introduced Mary to my favourite café in the Tate, no sketching as I was too busy chatting & eating, before we explored all the other exhibitions.

Next stop was back across town where we went to the National Portrait Gallery, my favourite, where I saw Marc Quinn's Blood Portrait for the first time. Something else I'm not sure about, but it is certainly intriguing. Unfortunately, we were at cultural overload by the top floors, so we went to another of my favourite cafés The Café in the Crypt.

Finally, here is a photo of a happy customer with her edition of Cuban Scenes, which had arrived in the post that day.

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My website is now live. Please check it out.

www.suepownallartist.co.uk

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Cuban Scenes - Available now!

Cuban Scenes by Sue Pownall | Make Your Own Book

Throughout this book there are photographs and drawings from the capital Havana, in the countryside at Vale de Viñales, and in the town of Trinidad. They were all taken or drawn this summer, 2011.It is available in normal paper formats and as an ebook, which is for iphone/ipad/or to download to your computer.

Portraits of Khartoum is also now available as an ebook too.

WoOZ

Envisioning Doha skyline as Emerald City backdrop.© Sue Pownall 2011

 The day after I returned to Doha I ended up at the welcome night of the Doha Players, the local theatre group. Somehow, I ended up volunteering to be involved in the set building for their upcoming Wizard of Oz (WoOZ), and better have been engaged to translate the director's and build team's ideas for the sets into workable designs. Sue Pownall- Artist, illustrator and set designer??? Unfortunately not as I am leaving Qatar tomorrow.

Waiting to audition © Sue Pownall 2011

My A3 sketch pad.

Anyway, my first task was to turn up to the auditions to view the space we would be working with. By coincidence the next day, Cathy Gatland, A sketch in time,  posted a lovely sketch of children rehearsing. Inspired I decided to see if I could produce something similar.

First off I drew the stage, and then concentrated on the groups of children sitting, standing,and singing. Considering how much children move about, I am very pleased with the results.

Then, the following week, I had to produce the first, and as it turned out last, set idea, which was for theEmerald City backdrop. I would like to have done more, and seen the project through, but life has other plans for me. Keeping me focused on drawing perhaps?

Auditions © Sue Pownall 2011

btw the sketches were done in pencil and the set with coloured inks and ink pen.

Showcasing my work

Before the event.

On Thursday I wrote that a friend was hosting an art event to showcase my original drawings and new limited edition giclée prints here in Doha. I am very happy to report that it was a wonderful day and a great success. I was especially worried that nobody wold turn up, but we had people coming in all day. It was a wonderfully informal affair, which suited me, with people staying for a tea or coffee, cake and a chat.

Remember in that last post I wrote:

"if I make a sale I will be happy or if I gain a commission that would be nice too"

Well, with regards to prints, I covered my printing costs and ended up in profit on print sales. I sold all four copies of my book Portraits of Khartoum that I had. However, the biggest news was that I sold the framed original of Khalifa's Gate. I'm sad to let it go, to be honest, but I know the new owner will give it a good home. Two of the prints sold were also of Khalifa's Gate, which I have to confess to being a favourite. Still, as one of our guests said,  'Duke Ellington, who, when asked what his favourite composition was, replied that he hadn't written it yet'. I guess my favourite is the next one I draw.

SOLD! With the happy new owner of Khalifa's Gate.

A special thanks goes to my fantastic friend Karen who hosted the day, a big thank you to all my friends who came and supported me, and finally thank you to everyone who bought something.

With the event's wonderful hostess.

If you wish to purchase one of my limited edition giclée prints, or wish to commission a drawing, please use the contact form above. 

Full details on print availability were in my newsletter and will be available on a tab here in the next day or two.

Busy, busy, busy

Hanging pictures ready for Art Event: Private view this Saturday.

So much has gone on these last two weeks it is hard to know where to start.

Synchronicity occurred during the first week of October when I entered an online facebook competition to win a book of b&w photos with the Qatar Museum Authority (QMA). Sunday lunchtime - I was drawn from the hat, and Monday I collected my prize over a cup of tea and quick chat about who I was. Tuesday nasty photo published of me and my prize on FB plus my FB page & blog details. (see below) As I wrote on my facebook page "I won a prize and got some publicity for my art too".

If only I had known how much... The same day I was called by their senior designer who wanted to commission some illustrations after looking at my work. Last Thursday, I met her and  she commissioned some drawings for her concept towards a collectors exhibition. You may notice from the example below that it is not my normal style, I was requested to do them in a woodblock/scraper board effect. As with all these things, there was little time to do the work, this morning, a week later, I delivered 3 illustrations. Fingers crossed the concept is accepted because that will mean lots more work for them. A big thank you to all of you who replied to my email asking for help: all your answers were very useful.

Khanjar (QMA commission) © Sue Pownall 2011

Now, a normally sane person would take a break after working too many hours to get the illustrations done on time, but no... This Saturday, a friend is hosting an art event to showcase my original drawings and new limited edition prints, which has involved making posters, promoting it, signing prints, hanging pictures (see top photo), converting prices into local currency and the to-do list is still a mile long too. However, if I make a sale I will be happy or if I gain a commission that would be nice too.

Another thing I have been doing, is working on a new book of drawings and photos from this summer's trip, but I haven't finished it yet. To the left is the contents page. I'm currently calling it Cuban Scenes, but if you can think of a better title, all suggestion are appreciated.

Finally, I wrote and distributed my first newsletter. Don't worry if you didn't get a copy, you can still sign up and receive it, just use the tab above.

Doha doodles

Critical Thinking Lecture. A5 sketchbook. © Sue Pownall 2011

Here are a couple of sketches from this week:

Prof. Bucsescu reading his notes.

The double page spread above was done at a lecture by architect and Pratt University professor Dan Bucsescu. The lecture was Critical Thinking in Design at VCU, Qatar. Whilst an interesting subject Prof. Bucsescu cannot give lectures and sat reading his laptop whilst the slides showed his "script". The only time I need to look at the stage was when he gave examples of theories such as Munch's Scream. Great opportunity to draw the people around me, and I also got some nice food to eat.


Earlier in the week I had gone to the Doha Players', a local theatre group, welcome meeting and sketched this on my notes's. A friend said "you can't help yourself [draw] can you?" ummmm no. At the meeting, I had gone to volunteer to help with set painting, but I think I have ended up helping with set designing, as I get to translate ideas into workable designs and help build them.

Fabulous opportunity.

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Sign up now using the form on the Newsletter tab to ensure your copy.

Sketching Trinidad in Cuba

 Iglesia de Santa Ana © Sue Pownall 2011

The other town I visited in Cuba was Trinidad, where I ended up spending 10 very relaxed days. Apart from having a sketchbook in some form always with me, I was not actually very disciplined with my art whilst I was there. The first morning, after a downpour, I walked through the steaming and rapidly drying streets to the ruined church of Santa Ana, with the thoughts it could be a potential subject. It was, as you can see above, however I ended up with the very difficult perspective due to it being the only available bench in the shade. That evening I went for dinner at Sol y Son restauran,t which is in a beautiful old colonial building. Whilst waiting for my delicious meal, I sketched some of the eclectic objects and plants, such as an angel, adding colour later back at my accommodation. So that was 2 drawings on my first full day.

Sol y Son restaurant. A6 sketchbook. © Sue Pownall 2011

The next morning after another heavy morning downpour, I stopped at the Pelanque de Los Congas Reales to see a group that play rumba, African rhythms, and have a troupe of dancers too. Unfortunately, I planned the page to have musicians top left then dancers below bottom right, but got too distracted by watching the show that I didn't draw the dancers.

Tonadas Trinitarias. Pencil in A3 © Sue Pownall 2011

© Sue Pownall 2011

The following day was the fiesta for the official end of summer and I went to the beach to see how the Cubans did it. The answer with lots of live music, dancing, beers, rum and laughter.

On the beach. © Sue Pownall 2011

Having skipped another day of drawing in order to have a dance class, I went out the next two consecutive mornings to draw. On the first I did a painting of the main square, which was dreadful, and then the following morning I wandered to the outskirts of town and inked and painted these dwellings (above) taking about an hour and a half. As this was a poorer part of town I did have several people begging for money, pencils or soap, however most people just said a cheerful hello asked who I was and what I was doing.

Near Ermita de la Popa. A3 pen & watercolour. © Sue Pownall 2011