Friday, December 30, 2011
Birthday Ballet
I was very lucky in that a friend of a friend had a spare ticket for the sold out performance of Swan Lake at the newly opened Royal Opera House, Muscat. I love going to the ballet!
The costumes and sets were fantastic and the Mariinsky Ballet dancers were amazing. A bonus was that the new building is magnificent both inside and out. There are a couple of photos taken with my Galaxy below.
As you can see, whilst waiting for the performance to start I sketched some of the people in a box. The people I was sat with kindly said that there wasn’t a need for photos with my drawing and also wanted me to do the same to their programme, but then the performance started.
There is another ballet in February, which I hope to get tickets to as well.
Happy New Year everyone.
I hope 2012 is a very productive one with lots of happiness for you.
Labels:
Oman,
pen and ink,
sketch,
urban sketch
Friday, December 23, 2011
Not a Christmas tree...
Sketching at sunset |
... but an acacia.
It doesn't feel like Christmas here, although I was invited to a Carol concert and there are Christmas trees in the malls and hotels. As this is a muslim country we don't get a holiday, however the Dean has granted us Christmas Day off. I am heading into Muscat to have Christmas dinner with friends and their family. It is winter here, daytime temperatures are down to about 22C, so we will have the pre-dinner drinks outside on the terrace. Back to work on Boxing day - 7.30am, eek!
Acacia in Alaya wadi. |
Wedding celebration. |
Future painting! |
As I didn't sketch last night, and I have been very lazy with my art due to work and other commitments, I went out this afternoon to sketch this tree.
Merry Christmas everyone from Oman.
May God bless you and your family.
Labels:
Oman,
pen and watercolour,
sketchbook,
tree,
wedding
Friday, December 9, 2011
Painting Oman
Scarves © Sue Pownall 2011 |
I was inspired to do some painting over the last few days, although I need to be completing some drawings. The top one was done on Wednesday from a photo I took at the university's speech contest earlier that day. The scarves just lent themselves to being painted.
© Sue Pownall 2011 |
Then this morning, I went for a walk with my paints and sketchbook across the valley. I enjoyed walking around the farms (mainly date palms), and finally sat on a wall to paint this abandoned fort. I just wanted an impression of the morning and not an acurate painting of the scene, especially as over the years I have drawn hundreds of palm trees.
Not yet finished. © Sue Pownall 2011 |
Labels:
decay,
Oman,
sketchbook,
watercolour
Tuesday, December 6, 2011
Juried in!
I have just received an email from my mother telling me that both The Secret Garden and Al Saiq Window have been juried in to the Colchester Art Society's Winter Exhibition.
Both are available for sale at the exhibition or as limited edition giclée prints on my website: suepownallartist
If you are in the area, why not pop along.
CAS Winter Exhibition.
St Martin's Church, West Stockwell Street, Colchester.
Finally, my newsletter is due out next week: have you signed up yet?
Labels:
Colchester,
exhibition,
giclée prints,
Oman,
UK
Sunday, November 27, 2011
Long weekends are about art!
Despite having a lot of things to do this weekend, including still settling in, I’ve found lots of time for art.
Thursday, after a day of manic cleaning which included windows and curtains, I walked over to the wadi (Arabic for river bed or valley) where I collected the skull last week, for an hour or so of sketching. I had spotted a ruin, which of course I had to draw. It’s not one of my best, as I hadn’t sketched in a few weeks, but makes a start on my sketchbook – on page 3 as I can’t draw on page 1.Walking back to the flat, I spotted …
warning don’t read the rest of this paragraph if you are squeamish and don’t look at last pic of this post
…a decomposing cow. Ignoring the fact of what it was, it was really interesting especially the way the hide had ended up like folded soft suede. I sketched it on site in ink, swotting the ever present flies, and then with the dimming light of dusk went home and added the colour.
On Friday, I had my first visitor from Muscat, the amazing photographer Ahmed Al-Shukaili. He is in the process of setting up a new website, but in the meantime you can see his awesome portraits and fabulous landscapes here and here. First, he took me to a semi-abandoned village, where I spotted places to draw on another trip. Then we drove an hour out of Ibra to Wadi Sep, which has the most amazing rock formations. As we were there an hour before sunset, the colours were amazing. I was very intimidated to be taking photos alongside such a great photographer, but am happy with the two I have posted here (top & right). It was a beautiful relaxing place and whilst Ahmed worked on getting the perfect shots I took out my A6 sketchbook. I didn’t realise photographers are harder to draw than children as they move more.
Early on Saturday, I had arranged to go sketching with 2 colleagues, so I took them back to the semi-abandoned village. It was a beautiful morning and the temperature was perfect when we arrived just after 7.30. Unfortunately, most the time was spent walking around taking photos (mine are on flickr), although I did a quick sketch when there was a cigarette break (I don’t smoke). Next stop was the fish market to buy our dinner. It is a long process as your chosen fish is cleaned and chopped, so I left the others to shop whilst I did two quick sketches.
There are still 2 days left of the holiday and I plan to work on the Scottish ruin, which I started before I left the UK.
Beware, below is the sketch you may not like…
Thursday, after a day of manic cleaning which included windows and curtains, I walked over to the wadi (Arabic for river bed or valley) where I collected the skull last week, for an hour or so of sketching. I had spotted a ruin, which of course I had to draw. It’s not one of my best, as I hadn’t sketched in a few weeks, but makes a start on my sketchbook – on page 3 as I can’t draw on page 1.Walking back to the flat, I spotted …
warning don’t read the rest of this paragraph if you are squeamish and don’t look at last pic of this post
…a decomposing cow. Ignoring the fact of what it was, it was really interesting especially the way the hide had ended up like folded soft suede. I sketched it on site in ink, swotting the ever present flies, and then with the dimming light of dusk went home and added the colour.
On Friday, I had my first visitor from Muscat, the amazing photographer Ahmed Al-Shukaili. He is in the process of setting up a new website, but in the meantime you can see his awesome portraits and fabulous landscapes here and here. First, he took me to a semi-abandoned village, where I spotted places to draw on another trip. Then we drove an hour out of Ibra to Wadi Sep, which has the most amazing rock formations. As we were there an hour before sunset, the colours were amazing. I was very intimidated to be taking photos alongside such a great photographer, but am happy with the two I have posted here (top & right). It was a beautiful relaxing place and whilst Ahmed worked on getting the perfect shots I took out my A6 sketchbook. I didn’t realise photographers are harder to draw than children as they move more.
Early on Saturday, I had arranged to go sketching with 2 colleagues, so I took them back to the semi-abandoned village. It was a beautiful morning and the temperature was perfect when we arrived just after 7.30. Unfortunately, most the time was spent walking around taking photos (mine are on flickr), although I did a quick sketch when there was a cigarette break (I don’t smoke). Next stop was the fish market to buy our dinner. It is a long process as your chosen fish is cleaned and chopped, so I left the others to shop whilst I did two quick sketches.
There are still 2 days left of the holiday and I plan to work on the Scottish ruin, which I started before I left the UK.
Beware, below is the sketch you may not like…
Labels:
buildings,
decay,
Oman,
pen and ink,
photos,
portrait,
sketchbook,
urban decay
Thursday, November 17, 2011
On the trail of a nomad.
© Sue Pownall 2011 |
For those of you kind enough to ask where I am and what I am doing here's a quick update, although these first photos may give a clue...
1st sunset © Sue Pownall 2011 |
A few days after the Edinburgh trip, I flew out of Heathrow to return to Oman, which I had left end of 2009, returning to work for my first Omani company. This time I am not in the capital, but in the interior in a town called Ibra, working for the A'Sharqiyah University. I had my first real exploration around today, visiting the souq and one of the older parts of this town - it's actually like a series of villages.
Watermelon seller © Sue Pownall 2011 |
So far I have not done any drawing, but picked up a goat's skull today, which I may draw tomorrow. I have damaged it slightly as it was quite fresh, so I used several kettlefuls of boiling water to clean it, then realised some of the very soft nasal bone has fallen away. Still it's better than any left over goat or germs hanging around I think. It is now sitting on the windowsill scaring the neighbours.
Labels:
Oman,
photos,
vegetables,
work
Monday, November 7, 2011
Mini adventure to Scotland
Solitude © Sue Pownall 2011 |
Newcastle Hotel, Rothbury A5 sketchbook © Sue Pownall 2011 |
I chose to drive up as I was dogsitting, whilst my parents went on holiday, which meant I got to spend some time in beautiful woods, parks & on beaches as I exercised him. I drove up to Northumberland the first day and stopped about an hour from the border. That evening, we both visited the dog-friendly bar of the Newcastle Hotel where I sketched a few of the locals. The next morning, after a foggy walk on the moors along St Oswald's Way, we crossed into Scotland at Coldstream. We stopped for tea at Hirsel where I outlined the building opposite us, then added watercolour later.
Hirsel. A5 Sketchbook © Sue Pownall 2011 |
© Sue Pownall 2011 |
Opening speech by Trevor Jones |
Gentlemen looking at mine & Jeanette's work. |
My drawing, The President's Tree, & I |
"£5135 and counting ... We've raised so much money already so thanks again to all of you."
Labels:
beach,
charity,
exhibition,
Scotland,
tree,
treesforlife,
UK
Friday, October 28, 2011
Eros
Checking maps in Picadilly. A6 sketchbook © Sue Pownall 2011 |
People at Eros in A6 sketchbook © Sue Pownall 2011 |
Instead my friend, the fabulous designer Mary Wright, & I went straight to Tate Modern, via the protestors at St Paul's, to see the Gerhard Richter exhibition Panorama. I was amazed at the mixture of styles from super-realism to abstraction that he uses. I can't confess to liking or understanding all of his work, but I'm very pleased we saw the exhibition. I introduced Mary to my favourite café in the Tate, no sketching as I was too busy chatting & eating, before we explored all the other exhibitions.
Next stop was back across town where we went to the National Portrait Gallery, my favourite, where I saw Marc Quinn's Blood Portrait for the first time. Something else I'm not sure about, but it is certainly intriguing. Unfortunately, we were at cultural overload by the top floors, so we went to another of my favourite cafés The Café in the Crypt.
Finally, here is a photo of a happy customer with her edition of Cuban Scenes, which had arrived in the post that day.
*********************
My website is now live. Please check it out.
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Thursday, October 20, 2011
Cuban Scenes - Available now!
Throughout this book there are photographs and drawings from the capital Havana, in the countryside at Vale de Viñales, and in the town of Trinidad. They were all taken or drawn this summer, 2011.It is available in normal paper formats and as an ebook, which is for iphone/ipad/or to download to your computer.
Portraits of Khartoum is also now available as an ebook too.
Tuesday, October 18, 2011
WoOZ
Envisioning Doha skyline as Emerald City backdrop.© Sue Pownall 2011 |
Waiting to audition © Sue Pownall 2011 |
My A3 sketch pad. |
First off I drew the stage, and then concentrated on the groups of children sitting, standing,and singing. Considering how much children move about, I am very pleased with the results.
Then, the following week, I had to produce the first, and as it turned out last, set idea, which was for theEmerald City backdrop. I would like to have done more, and seen the project through, but life has other plans for me. Keeping me focused on drawing perhaps?
Auditions © Sue Pownall 2011 |
btw the sketches were done in pencil and the set with coloured inks and ink pen.
Labels:
asketchintime,
Doha,
pencil,
sketchbook,
theatre
Sunday, October 16, 2011
Showcasing my work
Before the event. |
Remember in that last post I wrote:
"if I make a sale I will be happy or if I gain a commission that would be nice too"Well, with regards to prints, I covered my printing costs and ended up in profit on print sales. I sold all four copies of my book Portraits of Khartoum that I had. However, the biggest news was that I sold the framed original of Khalifa's Gate. I'm sad to let it go, to be honest, but I know the new owner will give it a good home. Two of the prints sold were also of Khalifa's Gate, which I have to confess to being a favourite. Still, as one of our guests said, 'Duke Ellington, who, when asked what his favourite composition was, replied that he hadn't written it yet'. I guess my favourite is the next one I draw.
SOLD! With the happy new owner of Khalifa's Gate. |
With the event's wonderful hostess. |
If you wish to purchase one of my limited edition giclée prints, or wish to commission a drawing, please use the contact form above.
Full details on print availability were in my newsletter and will be available on a tab here in the next day or two.
Labels:
book,
Doha,
exhibition,
giclée prints,
Khartoum,
pen and ink
Thursday, October 13, 2011
Busy, busy, busy
Hanging pictures ready for Art Event: Private view this Saturday. |
Synchronicity occurred during the first week of October when I entered an online facebook competition to win a book of b&w photos with the Qatar Museum Authority (QMA). Sunday lunchtime - I was drawn from the hat, and Monday I collected my prize over a cup of tea and quick chat about who I was. Tuesday nasty photo published of me and my prize on FB plus my FB page & blog details. (see below) As I wrote on my facebook page "I won a prize and got some publicity for my art too".
If only I had known how much... The same day I was called by their senior designer who wanted to commission some illustrations after looking at my work. Last Thursday, I met her and she commissioned some drawings for her concept towards a collectors exhibition. You may notice from the example below that it is not my normal style, I was requested to do them in a woodblock/scraper board effect. As with all these things, there was little time to do the work, this morning, a week later, I delivered 3 illustrations. Fingers crossed the concept is accepted because that will mean lots more work for them. A big thank you to all of you who replied to my email asking for help: all your answers were very useful.
Khanjar (QMA commission) © Sue Pownall 2011 |
Another thing I have been doing, is working on a new book of drawings and photos from this summer's trip, but I haven't finished it yet. To the left is the contents page. I'm currently calling it Cuban Scenes, but if you can think of a better title, all suggestion are appreciated.
Finally, I wrote and distributed my first newsletter. Don't worry if you didn't get a copy, you can still sign up and receive it, just use the tab above.
Labels:
blurb,
book,
commission,
exhibition,
museum,
pen and ink,
prints
Saturday, October 1, 2011
Doha doodles
Critical Thinking Lecture. A5 sketchbook. © Sue Pownall 2011 |
Prof. Bucsescu reading his notes. |
Earlier in the week I had gone to the Doha Players', a local theatre group, welcome meeting and sketched this on my notes's. A friend said "you can't help yourself [draw] can you?" ummmm no. At the meeting, I had gone to volunteer to help with set painting, but I think I have ended up helping with set designing, as I get to translate ideas into workable designs and help build them.
Labels:
Doha,
sketch,
sketchbook
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